- 100% agree about not letting paperwork bog things down—too many forms and you can lose that creative spark before you even start.
- That said, I’ve watched projects unravel fast when folks skip the basics. Had a kitchen reno once where everyone “trusted” each other… until nobody remembered who was supposed to pick tile. Cue awkward phone calls and a lot of finger-pointing.
- I like to keep it simple: scope, budget, and timeline, even if it’s just a shared doc. Doesn’t need to be legalese, just clear enough so nobody’s guessing.
- One thing I’d add—make sure you vibe with their communication style. Some designers text at midnight, others disappear for days. If you’re building a custom space, you want someone who gets your rhythm.
- Flexibility’s great, but I’ve found a little structure up front saves a ton of headaches later. Keeps the creative energy focused on the project, not sorting out confusion.
- Totally with you on keeping paperwork simple—nothing kills the mood faster than a stack of forms.
- That said, I’ve seen “just trust” go sideways too.
Been there, except it was paint colors and suddenly everyone’s memory got fuzzy.“Had a kitchen reno once where everyone ‘trusted’ each other… until nobody remembered who was supposed to pick tile.”
- One thing I’d add: ask for references or check out their past work. Not just the pretty photos, but how they handled hiccups or changes. Sometimes the best designers are the ones who stay cool when things get messy.
- Also, don’t be shy about talking money early. It’s awkward, but better than sticker shock halfway through.
- Communication style is huge. I once worked with someone who only emailed—felt like sending messages into a void. Now I always ask how they like to keep in touch.
- Last bit: if you’re investing in a luxury space, make sure they understand your lifestyle needs, not just aesthetics. Sometimes the little details (like where you charge your phone or stash your keys) make all the difference.
- Couldn’t agree more on the references—photos are easy, but how someone handles a curveball says way more about their process.
- Money talk early is awkward, yeah, but it’s way less painful than finding out your “dream” tile is double what you thought.
- One thing I’ve run into: designers who have a vision but aren’t great at translating it into actual construction details. Ever had someone spec something that just doesn’t work with the bones of your house?
- Curious—do you all prefer designers who bring in their own contractors, or do you like to keep those separate? Sometimes the team dynamic makes or breaks a project.
WHAT SHOULD I LOOK FOR BEFORE SIGNING WITH AN INTERIOR DESIGNER?
That thing about designers having a vision but not translating it into real-life details—yes, I’ve run into that. Once had someone suggest a built-in bench for a nook that turned out to be way too shallow for actual sitting. Looked great on paper, but in reality? Not so much. I guess that’s why I always ask for sketches or mockups before anything gets built.
About the contractor thing, I’m honestly torn. On one hand, a designer’s go-to team probably “gets” their style and process, which could mean fewer headaches. But then again, I’ve heard stories where the contractor-designer duo was a little too cozy, and costs crept up without much pushback. Has anyone ever tried mixing it up—like, hiring a designer but bringing in your own trusted contractor? Did it make things more complicated, or did it help keep everyone honest?
Also, how do you all handle those moments when your dream idea just doesn’t fit the budget? Do you compromise on materials, or try to DIY some parts?
WHAT SHOULD I LOOK FOR BEFORE SIGNING WITH AN INTERIOR DESIGNER?
That bench story hits home—I've seen beautiful renderings that just don't work in real life. I always tell clients to sit, touch, and imagine using the space before we commit. As for contractors, I've worked both ways. Sometimes bringing your own contractor keeps things transparent, but it can slow down communication if they're not used to collaborating. When budgets get tight, I love mixing high and low—splurge on one statement piece, then get creative or DIY the rest. It's all about balance, honestly.
